| The Rolling Stones (Page 4) 
More importantly perhaps, while The Beatles were still suited, clean-cut boys with mop-top haircuts, the Stones cultivated the opposite image: decidedly unkempt, and posing for publicity photographs like a gang. The follow-up album, The Rolling Stones #2 was also composed mainly of cover tunes, only now augmented by a couple of songs written by the fledgling partnership of Jagger and Richards. Encouraged by Oldham, the band toured Europe and America continuously in their support, playing to packed crowds of screaming teenagers in scenes reminiscent of the height of Beatlemania. While on tour they took time to visit important locations in the history of the music that inspired them, recording the EP Five By Five at the studios of Chess Records in Chicago. Back at home these early years of success represented a rare period of stability in the personal relationship between the band members. Jagger, Richards and Jones were sharing a house and Jones had begun to see Anita Pallenberg, an actress and model who introduced them to the circle of society in which she moved: a group of young artists, musicians and film makers.
Prompted by Oldham, who possessed sufficient business acumen to see where money was to be made, Jagger and Richards became more prolific songwriters and 1965's Out Of Our Heads contained much self-penned material, including the classic "(I Can't Get No) Satisfaction," and saw the dynamic of the band began to change, with Jagger and Richards starting to emerge as the perceived leaders of the band. Jones, not unaware of his reduced importance, retreated into drug abuse, alienating both Richards and Pallenberg, who began a liaison that would last over ten years. During this period Pallenberg's opinions about the music, as one of the few people the band trusted, should not be underestimated.
By now the band had become almost synonymous with part of the rebellious spirit of the 1960s, and in particular a more relaxed attitude towards drug use. As a reaction the police obtained warrants to search Richards' country home, Redlands. The February 1967 raid, now legendary in the band's mythology, occurred during one of the regular parties, where police discovered a moderate quantity of cannabis. The raid also served as a source of apocryphal stories, mainly concerning the appearance and demeanor of their friend Marianne Faithfull, which only served to augment their reputation for debauchery. Richards was charged and a few months later stood trial for allowing drug use in his home. Amidst intense press interest he was convicted and sentenced to a year's imprisonment, prompting The Times newspaper to run an editorial criticizing the verdict. With Richards out on bail within a day, and shortly to be acquitted on appeal, work commenced on a new "psychedelic" album, which Jagger envisioned as the group's response to the Beatles' Sgt. Pepper. The record, which would eventually be released as Their Satanic Majesties' Request, received lukewarm reviews -- the songs and arrangements did not lend themselves to their natural style and the increasingly-strung-out Brian Jones contributed little -- but, despite Richards later pronouncing it "crap," still produced a small number of songs which showcased the improving songwriting of Jagger and Richards.
Within the band the dynamic was changing with the two principal writers steadily usurping power from the former leader, Jones, with Pallenberg as their eminence grilse. After the excesses of Satanic Majesties, and with personal relations between Jones and Richards increasingly frayed, the band returned to the black music that had originally inspired them on 1968's Beggars Banquet. Despite the tension, and aided by an excellent sound from an up-and-coming producer named Jimmy Miller, Jagger and Richards produced some of their most memorable work -- including the distorted acoustic guitar-driven "Street Fighting Man" and the anthemic "Sympathy for the Devil" -- and the Stones entered the phase that would see them billed as "The World's Greatest Rock and Roll Band".
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