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THE CASE OF THE VICTIMLESS CRIME (radio) by JOHN MORRISON     March 2007

THE CASE OF THE VICTIMLESS CRIME  is just right for Radio 4: a mystery wrapped in an enigma, with a lot of comedy; and a solution which is so obvious you can't think how you missed it.  It concerns the annual Book Festival at Beachwold in Suffolk, which seems to attract smaller numbers every year.  Fortunately the new member of the organising committee has the bright idea of getting Harold Headcorn, the wellknown writer of golfing thrillers, to come out of retirement in Majorca to do some readings from his works.  The others acknowledge that it is a good good idea but they doubt whether he'll come: he's not been seen for years.  Surprisingly he accepts.  Crowds flock to the Festival and Harold turns out to be quite a flamboyant character.  His readings hold his audience spellbound (the Player-Playwrights audience was truly hooked on the tale of the body in the bunker on the 14th), books sell by the cartload and the Festival is a fantastic success. ... until the secretary of the committee disappears [last seen on the golf course] and investigations suggest that Harold Headcorn never left Majorca! Has she been the victim of a terrible crime?  Or have they all taken part in a crime for which there has been no victim?  Get one of those BBC producers to secure an afternoon slot for it and all will be revealed.  Or contact the author on jmmorrison@compuserve.com.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE LAST TRAIN HOME (stage) by PETER McKELVEY     April 2007

THE LAST TRAIN HOME  is one of the most original stage plays that we have seen at Player-Playwrights.  It has one set (a carriage of a tube train) and an all woman cast, including a Caribbean conductor/inspector, and it runs just a little over 30 minutes.  Ideal for amateur theatricals, perhaps as a competition entry for a Festival.

So what's it about?  That's for the audience to work out as the curtain goes up on a tube train with only three passengers: a young girl, a middle-aged woman and an elderly lady.  The girl is a bit unwell, having been to an office party and the others are sympathetic [they had bad experiences like that when they were younger] and offer her help and advice.  The three get to talking and it turns out that they have a lot in common.  But each has a totally different view of the world and they can't even agree which line they are on; and the train isn't making any stops.  The conductor keeps coming in to reassure them that everything is all right: they are on the last train home. Gradually it begins to dawn on us in the audience that they are being taken on their last journey, as their lives are ending, and that all three females are the same person at different times of her life.  So what's going on?  Well, the old girl had a heart attack while trying to buy a ticket and this Caribbean lady is looking after her, as she reviews her life before passing on.  What we are seeing is what is going on in her head. We should have guessed it from the title but it was surprising how many P-P members didn't get it until the end.  Sustained applause and a very high mark.  If you'd like to put it on at your theatre contact the author, Peter McKelvey on peter.mckelvey@btinternet.com

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