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Index of Essays

Understanding What A Story Is *
An essay that explores the human need for stories.
Revised 8/31/98

Foundation Principles of Storytelling *
This essay discusses 15 principles I believe underlie the creation of a dramatic story.
Revised 12/27/98
My Percibiendo las bases en una narración essay is now available in Spanish, traducido al Español por Herlinda Martínez at Miracle Theatre/Teatro in Portland, Oregon

Understanding the Process of Storytelling *
The process of constructing a story from idea to premise to movement to plot to fulfillment.
Revised 12/27/98

* - I suggest readers start with these three essays.

Premise -- Foundation of Storytelling
Many writers struggle with understanding the difference between what a story is and character goals. This essay offers a method to create a one sentence story premise that sets out a story's dramatic foundation. Posted 12/27/97.

Creating Dramatic Characters
Practical steps on how to create dynamic characters. Posted 12/27/97

What A Plot IS
Insights on the relationship between a plot and a story. Posted 12/27/97

Writing A Story Synopsis
Tips on how to write a synopsis that clearly identifies the dramatic issues at stake in a story. This is a a partial essay. The full essay is now available in my workbook, A Story is a Promise.

Essays that review movies....

Throwing Characters Over the Edge
A review of The Sweet Hereafter, Last Night, and the Five Senses that explores how throwing characters into new, difficult worlds is a method of forcing characters to reveal their inner selves.

A Simple Plan
A story about how what appears to be a great windfall of money consumes those who touch it.

Conscious Storytelling
A review of Memento that explores the structure of the story.

The Cascade Effect
This essay explores the price of obscurity in storytelling.

(These articles above appeared in ScreenTalk, The International Magazine of Screenwriting.)


Earning Fulfillment
A review of The Sixth Sense and Stir of Echoes that explores how each story sets up and fulfills its promise.


A Room With a View
An artful story that gets right to the point about its dramatic purpose and the roles of its characters in its world.

Chinatown, Part One
Chinatown, Part Two
A review of one of the great films of American cinema.

L.A. Confidential
A review that explores how to advance a complex plot along a story line.

Seven, Part One
Seven, Part Two
A review of a thriller that leads its audience to think about as well as feel its thrills.

Body Heat
A review of a thriller with a main character who gets in over his head to his doom.

Shawshank Redemption
A review of a movie that begins setting out its dramatic purpose and the promise of its story journey with its title.

Groundhog Day
The essay reviews how a story can advance along its story line while it seems to be going in circles along its plot line.

The Art of the Romantic Comedy
A review of Sleepless in Seattle that explores how this film structures its scenes to create a particular dramatic effect.

Stories and Ideas
This review of Toto le hero explores how a story's ideas are at the service of advancing a story toward its resolution and fulfillment. This is a partial review of the film. The full review is available in my workbook, A Story is a Promise.

Transcendence and Stories -- A Review of L.A. Story
This review explores how a story creates the effect of transcendence for its audience. This is a partial review of the movie. The full review is available in my workbook, A Story is a Promise.

Rate of Revelation
Is the action of your story fresh and engaging? This essays offers some tips on how to create dramatic revelations. Includes a review of Stargate.

Why Police Stories?
Explores why detective stories are popular. Reviews Lethal Weapon.

Characters and Premise
Practical examples of how characters must act in a way that ties their actions into a story premise. Includes a review of Last Action Hero.

Anatomy of An Action Adventure Movie
A review that explores the story structure of Die Hard.

Characters and Plot
A review of Honey, I Shrunk the Kids. Explores how this story introduces it characters as they react to what's at stake in the story.

Essays that review novels....

Anatomy of a Plot
A review of the plot of The Hunt for Red October and an exploration of how the story's plot was constructed. This is a partial review. A full review is available in my workbook, A Story is a Promise.

The Artist as Storyteller
A partial review of Paul Auster's novella, City of Glass. The full review is available in my workbook, A Story is a Promise.

Setting Out a Story's Dramatic Purpose
A review of the prologue of The Exorcist that examines how the author set out the dramatic purpose of the story -- an epic battle between good and evil -- and began to deliver on that purpose in a way that reassured his audience of his ability to tell a story.

The Exorcist -- Page One A review of the dramatic structure of the first page of the novel.
The Exorcist -- Page Two A review of the second page of the novel.
The Exorcist -- Page Three A review of the third page of the novel.
The Exorcist -- Page Four A review of the fourth page of the novel.
The Exorcist -- Page Five A review of the fifth page of the novel.

Essays that review plays....

The Passion and Power of Love & Hate
A review of Shakespeare's play about tragic love, Romeo & Juliet.

The Iceman Cometh.
A review of Eugene O'Neill's play about pipe dreams.

'night, Mother
Marsha Norman's brilliant play about a mother, a daughter, a suicide.

The Heidi Chronicles
A review of the play by Wendy Wasserstein

All essays on The Craft of Dramatic Writing are copyright 1995/97/98/99/2000, 2001, 2002, 2003 Bill Johnson unless otherwise noted.

ALSO SEE:  A Story Is a Promise: Good Things to Know Before You Write That Screenplay, Novel, or Play By Bill Johnson.

A Story is a Promise offers a fresh new model for mastering the elusive art of writing dramatic and engaging stories. In order to illustrate its major principles, the book includes reviews and analyses of over a dozen popular films, novels, and plays. Complete with prompts and questions at the end of each chapter, A Story is a Promise can be used as a workbook to help writers internalize the principle that underlies all well-told stories: that a story should be a promise and that a promise should be kept. The inclusion of familiar examples makes this book accessible and useful to all writers of fiction, plays, and screenplays.

Bill Johnson has been using the manuscript of A Story is a Promise in his workshops for years. Many editors also use the workbook to teach blossoming writers the craft of storytelling.

 

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