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Written by Peggy Andreas

First circulated on the newsgroup alt.religion.shamanism, this essay was published in Towards 2012 part III: Culture/Language (The Unlimited Dream Company, 1997). It forms part of a trilogy that starts with Path of the Sacred Warrior and proceeds in Path of the Shaman. Written around 1995.

 

 

In my last article, I wrote of the Native American spiritual path of the Sacred Warrior. To Native Americans, the path of the Sacred Clown is ALSO considered a spiritual calling, essential to the smooth functioning of the tribe:

In the days before the invaders came. . .we had clowns. Not clowns like you see now, with round red noses and baggy costumes. Our clowns wore all kinds of stuff. Anythin' they felt like, they wore. And they didn't just come out once in a while to act silly and make people laugh, our clowns were with us all the time, as important to the village as the chief, or the shaman, or the dancers, or the poets.1

Most every tribe had their Clowns. The Oglala and Lakota called them Heyoka ("crazy"), the Arapaho called them Ha Hawkan ("holy idiot"), and both peoples considered them religious specialists. The Salish people honor the memory of a Clown who (not so long ago) challenged a missionary. The missionary was enticing people to come to his church by handing out little mirrors to them while urging them to cover their bodies with white folks' clothes. It is told with a smile that the Clown (a woman!) walked into the church one Sunday wearing nothing but a hat and old shoes! Read the book to find out what happened!2

The Hopis protected their Sacred Clowns by incorporating them into their Katchina ("Cloud spirit") ceremonies where the Clowns make a hilarious entrance from a roof, descending a rope ladder into the plaza where the Katchinas are dancing. "Look down there!" they exclaim, "Everything is bountiful and beautiful!" Their descent is very precarious, usually head-first, and causes much laughter as they tumble over each other and fall the last few feet. They do not see the Katchinas until they bump into them, and then they say "This is MINE!" or "This many are MINE!" They act silly, childish, greedy, selfish, and lewd. As they pretend to become aware of their surroundings, they mock tourists, anthropologists, neighboring Indians, even themselves! They beg for food. Their guessing games and balancing acts please the crowds. The dancing Clowns sometimes pretend they are invisible, heightening the joke.3

The survival of these ritual clowns gives us a clue as to how important a Clown was to the community-spirit of each Native American tribe. Nothing was sacred to a Sacred Clown. She was a social critic of the highest order. Her funny mimicry and joking exposed hypocrisy and arrogance. Her portrayals of ridiculous behavior showed the people (in a very humorous way) their own foolishness and blind-spots. "A clown was like a newspaper, or a magazine, or one of those people who write an article to tell you if a book or a movie is worth botherin' with. They made comment on everythin', every day, all the time. If a clown thought that what the tribal council was gettin' ready to do was foolish, why the clown would just show up at the council and imitate every move every one of the leaders made. Only the clown would imitate it in such a way every little wart on that person would show, every hole in their idea would suddenly look real big."4

With the arrival of the "invaders", this sacred office got to be a most dangerous one—maybe more dangerous than that of the Warrior. Perhaps this is why most of the Sacred Clowns disappeared from sight! As the Cree Medicine Woman says in the story, Flight of the Seventh Moon, "No wonder we never got along. . .my people and your people. They were all the time getting peeved at each other and much hatred grew between us. It was unavoidable, because my people had great pride and humor. Yours had the jitters and wanted to shoot those who were laughing at them. Yet I still find you white people very amusing. I have to laugh at you because you never let yourself go. Every word to you is a completeness or else a long way off. You like to bludgeon the meaning of something to fit your own stupidity. It would serve you well to quit being so brittle."5

The Sacred Clown of the Salish people mentioned earlier made a trip to Hudson Bay, Victoria, to clown about the way her people were trading seal and otter skins for rum. The white company-men soon had enough of her, and when she was later found shot in the head, all her people figured that a white man did it. The Indians themselves strictly forbade doing any kind of violence to a Sacred Clown.

These Clowns were dangerous to tyrants and exploiters because they were so disorganized and so completely honest. They could see with the eyes of a child, and because of this, could spot a phony a mile away. They were sometimes called "destroyer of heroes." The white invaders hated them, of course, so it was either be killed or find a way to hide. Those who were killed are remembered with much respect by their people. Those who survived did so by learning to be Tricksters, to change their form, to become invisible if necessary.

A negative religious figure (such as the Sacred Clown) seems odd to most non-tribal people. Most Native Americans, however, LOVE the humor of it and tell stories about a mythic Trickster whose pranks and mishaps teach the tribe moral lessons. The Trickster takes many forms, but the favorites seem to be animals who are exceptionally curious, resourceful and adaptable—SURVIVORS, such as spider, raven, rabbit, owl, bat, coyote and crow. The stories are full of funny situations with the Trickster being mischievous, being in turn made a fool of, and even getting involved in obscene affairs. "Mostly, Trickster likes pullin' antics and tellin' dirty jokes."6 Perhaps it is this appreciation for the Trickster that has given the Native American the ability to survive against all odds. The Trickster makes a lot of mistakes, and usually has a hard time learning from them. However, She keeps on keepin' on. She doesn't drown Herself in despair, doesn't kill Herself in frustration. She survives.

 

Continued on Page 2

 

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